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Post by OdanUrr on May 27, 2019 20:20:52 GMT -6
I'd been meaning to watch this film for a while so last night I decided to put my Netflix subscription to use. Time travel stories can be tricky propositions, for each of us has his or her own preconceptions about how time travel is supposed to work, much like Ant-Man did in Endgame. Having said that, once the film had ended, I found myself questioning less the mechanics of time travel in this story and more the story itself. Our story follows Makoto, a teenage girl attending high school who one day inadvertedly acquires the ability to rewind time, and, no, this is not Life is Strange. She soon finds herself triggering this ability to avoid a tragedy (still not Life is Strange) and quickly sets about to mastering it for trivial things, like avoiding awkward conversations or having non-stop fun with her two best friends, Chiaki and Kousuke, and perhaps less trivial ones, like improving her skills at baseball or passing an exam with top grades. Eventually, she learns that these actions can have unintended consequences (okay, you can imagine what I was going to write here) and so decides to set things right. Or so one would think this kind of story would go. The truth of the matter is I never felt as if Makoto truly learned this lesson, and the sad part is that there are several moments that could've been exploited further to let the point sink in. For instance, it is fairly clear the film wants to emphasize how Makoto is wasting her ability in frivolous stuff so that it'll eventually bite her in the ass. And so it does. The execution of this moment could've been better, or at least less exaggerated to the point of ridicule, but that's not the point. The point is Makoto isn't given time to process this, to reach catharsis, so that when a second chance appears we know she won't waste it, as she has grown out of the experience, she has matured. Instead, it is left to a character to tell us how devastated she supposedly was as a result of this tragedy. I know it is cliché, but show, don't tell. And this is where we reach another problem I have with the story that does relate to time travel. Without giving too much away, an explanation for Makoto's ability is provided that was unnecessary or, at the very least, it was unnecessary to go into so many details, as I feel it ultimately raises even more issues with the story. In short... Chiaki is actually from the future and he came to this point in time and space for a painting. Putting aside for a moment how weak that reason is (he's given no connection to this painting at all), during his exposition to Makoto he also makes some comments that hint at a bleak post-apocalyptic future. In that case, why would he want to return to it when he's enjoying this present so much? No idea. How far into the future does he even come from? Chiaki says he'll wait for Makoto in the future, but are we talking 20 years or 200? Too short, and I won't believe someone could've invented time-traveling walnuts for tourists. Too long, and Makoto will be nothing but a corpse, if even that. Chiaki also happens to mention that he'll disappear now because Makoto knows of the time-traveling walnut, suggesting there's some kind of agency that monitors the use of these devices, kind of how the Ministry of Magic controls the improper use of magic outside of school in the Harry Potter universe. Does that mean he'll return to the future? If so, Makoto's "sacrifice" would seem pointless. However, this raises the more important question of why this agency didn't intervene the first time Makoto time travelled. Furthermore, why hasn't she vanished as well? If you don't know the answers to these questions, then I would rather you kept details of the future and time travel to a minimum. The less the viewer is told, the less ammo he's given to punch 9 mm holes into your story. I will say this film does not seem to have a half bad soundtrack, though I haven't yet listened to it isolated. The track that plays during the reveal scene, "Seijaku," is particularly good, to the point the scene would be sorely lessened without it. Then again, Fireworks also had that one good track that played whenever the MC used that marble. The main theme (I think), "Kawaranai Mono," is also used perfectly at the end, when Makoto decides to make a more responsible use of her ability (it's a pretty good scene). It is left to the viewer's imagination to assume she also took the chance to fix the rest of the collateral damage. Like in the case of Cowboy Bebop, I find myself curious as to why/how it gained the popularity it has (though I have mentioned I'm enjoying Bebop a lot more the second time around), and if my inability to understand this has to do with how long it's been since the movie released (2006, more than a decade ago) and how much the anime landscape might've changed since then. It's an entertaining movie, to be sure, but I personally feel it had the potential to be a lot better.
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